Hey, Neighbor. Welcome to Moss Avenue Books.
We’re an online bookstore specializing in a mix of new and used books, as well as the occasional art and ephemera.
More specifically: contemporary fiction, film and TV, lots of nonfiction, children’s books, comics, and small press publications, alongside limited editions and signed books.
We keep approximately forty to fifty titles in stock at any one time, and we refresh the shop every four months.
All orders ship on Fridays.
Newest Arrivals
Bloomsbury Publishing, Signed First Edition, 2025, (New/Like New) Pristine copy.
Ilana Masad’s masterful debut weaves together three distinct storylines, with each narrative circling the question that haunts most every notable story about UFOs. Are we really alone in the universe? First, define universe.
Random House. First Edition Paperback. 2019 (VG/G) Remainder mark on the bottom of the book. and a crease on the bottom corner. Otherwise, an excellent copy. Sturdy and clear. No markings. Spine and binding are excellent.
A unique hybrid of biography and memoir as Lynch and McKenna take turns from chapter to chapter. McKenna goes first, in effect setting the stage, followed by Lynch who clarifies and provides context, remembers events somewhat differently, goes off on digressions entirely his own. It’s enigmatic and engaging and required reading for anyone interested in the singular life of David Lynch.
Mysterious Press. Signed First Edition. 1998. (Fine/Near Fine) The pages are ever-so-slightly tanned, as is to be expected. No tears or markings. Spine and binding are perfect. Already wrapped in protective mylar.
L.A. Noir combines three novels featuring his anti (and I mean, anti) hero, Det. Sgt. Lloyd Hopkins., Blood on the Moon, Because the Night, and Suicide Hill. To read Ellroy is to hold your hand above a burning flame for as long as you can then, when you simply can’t take it anymore, you plunge your hand directly into the fire.
n+1 Books. First Printing. 2025 (New/Like New). No tears, scuffs, dings or markings. Near perfect paperback copy.
A combination of brief reviews on damn near every movie you loved or hated during one of the most tumultuous periods in film history, along with longer essays covering everything from reality television to “movie nights with the Reagans,” to filmmaker profiles like P.T. Anderson and Billy Wilder, to the relationship between horror and consumerism. In short, an essential text for how we watch movies now, for better and most certainly for worse.